Another Machete (Robert Rodriguez, 2010) Trailer
Each trailer gets better and better.
Each trailer gets better and better.
Robert Rodriguez has released an 'unofficial' trailer for Machete and yes, it looks like it will be everything I was hoping it would be. I cannot wait to see this.
UPDATE:
Here is trailer in HD:

I am surprised that I had not heard of this earlier. A documentary film about the late, great comedian Bill Hicks has been made and will be released this summer. Without a doubt the greatest comedian to ever live, this film documents the life of Bill Hicks using animation and interviews with those closest to him. I really cannot wait to see this. More information can be found over at the official site.

Many films often claim to be "the scariest film ever" yet the majority do not come close to such claims. Paranormal Activity, however, lives up to the hype which has made the film incredibly successful over in the US, grossing over $61,580,588 thus far; not bad when you consider that the film was made for a paltry $11,000, or $15,000 depending on your source. I have been anticipating the release of this film since seeing the well constructed trailer over a month ago and finally got to view it on Halloween night.
The premise is simple. Katie (Katie Featherston) and Micah (Micah Sloat) believe that their house is haunted, Katie being a magnet to supernatural activity since a young a child. Technology savvy Micah decides to setup recording equipment in the bedroom to capture any paranormal activity that might take place. The activity escalates as Micah becomes more confrontational to the spirit, resulting in a truly horrific climax. The film is clearly influenced by The Blair Witch Project (1999), which draws many comparisons particularly in its independent origins, and many of the popular ghost hunting television shows, such as Britain's Most Haunted and America's Ghost Hunters. A disclaimer opens the film informing the audience that the footage was "donated" by the Los Angeles Police Department, evoking memories of the found footage narrative present in films such as The Blair Witch Project, Cloverfield (2008), Cannibal Holocaust (1980) and The Last Broadcast (1998). The actors put in believable performances, Micah Sloat's conventional alpha male is particularly effective. But it is Katie Featherston who is the stand-out performer. It is refreshing to see an actress who does not conform to the typical Hollywood female stereotype, another important factor in making the film more realistic. And yes, the film is very scary. There are numerous well-executed scare scenes; the old adage 'less is more' is certainly followed here. The night vision bedroom camcorder footage, shot with one static camera, holds the viewers attention as you wait for something to happen in the frame. The intensity increases as it is revealed where the demon may have come from. This results in a memorable and chilling ending which stays with you long after the end of the film. I should add that the version of the film I saw had the 'original' 2007 ending which I believe is more haunting, if you forgive the pun, than the current theatrical 2009 ending. The 2009 ending, which bears the fingerprints of the master of rhetoric Steven Spielberg, is certainly more theatrical but not as chilling. Apparently there are some other differences in the 2009 edit which cleans up some of the original special effects. I gave a lecture on the relationship between fandom and marketing last week and I used the promotional strategy of Paranormal Activity as a case study. In the US, audiences had to "demand" for the film to be shown in their area by visiting the official website and clicking on the appropriate link. Accompanied by an effective viral video, this unique strategy saw the film rise to the top of the US box office in four weeks. Word of mouth certainly added to the popularity of the film. It remains to be seen whether a similar strategy will be used here in the UK but I cannot help but feel that the Paramount has missed an opportunity by not releasing the film in time for Halloween. The film is scheduled for release in the UK on November 27. You will hear many people's thoughts on this film over the coming weeks. After our viewing on Halloween night we found it hard to sleep, partly down to the sounds coming from our inconsiderate neighbours at 3am in the morning. This now joins Ghostwatch (1992) as one of the most frightening films I have ever seen.
Here is my intended viewing for my annual Halloween horror movie marathon:

I finally watched Greg McLean's Rogue on Friday night via the recently released region-free UK Blu-Ray disc. I had really enjoyed his earlier film Wolf Creek (2005) which starred the excellent John Jarrett as the brutal Mick Taylor and was eager to see this crocodile on the loose film. What is particularly striking about McLean's films is use of scenery. Both Rogue and Wolf Creek are beautifully shot and make good use of their locations. McLean is skilled at making the picturesque Australian countryside seem both claustrophobic and terrifying.
A group of tourists on a boat tour respond to an SOS flare. Unbeknownst to the the tour guide they enter the territory of an aggressive crocodile that destroys the tour boat. Stuck an island with the tide coming in the tourists have to find away to get to shore and survive the giant croc. Whilst it may not be entirely original and it is in keeping with B movie traditions, Rogue achieves what many recent blockbusters cannot; a constant air of tension throughout. Clearly inspired by Alien (1979), Jaws (1975) and the lesser known other Aussie croc film The Dark Age (1987), McLean follows the old adage of 'less is more' by using the crocodile sparingly until the final moments of the film. The cast turn in strong performances, particularly John Jarrett who is in a completely different role compared to his psychotic Mick Taylor from Wolf Creek. The UK Blu-Ray disc released by Icon offers a near flawless presentation of the film. Both audio and video are top notch; the scenery of the gorge looking especially awesome. The extras are also worthy of attention, particularly the fascinating 40 minute making of. So, if you are looking for a good old fashioned animal on the loose horror movie for Halloween look no further. It may not be perfect but it if certainly a fun way to spend 90 minutes of your time. I anxiously await Greg McLean's next offering.I have spent the majority of the year working my way through a lot of older films at the expense of recent releases. I thought Zodiac was superb as was This is England and Anton Corjbin’s Control was absolutely superb, every shot is a work of art. I am sure some might be surprised with me including Death Sentence but I do love a good revenge film and this one of the few films that met my expectations. Knocked Up was good fun, I found it to be much funnier than Superbad and one of the better comedies I have seen in the past few years. William Friedkin returned to form with the psychological thriller Bug and Joseph Gordon Levitt once again proved that he is one of the most interesting young actors in Hollywood with his excellent role in The Lookout. I expect that there will be additions to this list once I have seen Eastern Promises, The Lives of Others and Planet Terror.
The biggest disappointments of the year were Outlaw (Nick Love), Die Hard 4.0 (Len Wiseman) and Death Proof (Quentin Tarantino). As I wrote in my blog post, Outlaw was an atrocity that could have been so much better. A good cast, excluding Neanderthal Danny Dyer of course, was well and truly wasted. The only good thing Death Proof had going for it was Kurt Russell otherwise it was a two-hour bore. Surely Tarantino is still capable of better things than this?
In my next post I will move on to look at my favourite DVD releases of the year.